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From stage to screen: musical films in Europe and United States (1927-1961)
2012, Brepols
in English
2503546145 9782503546148
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Book Details
Table of Contents
Can't help lovin' dat musical: Show Boat in films and revivals -- Lauren Acton
The docu-opera in the Italian cinema of the 1940's: another way to see the opera on the screen -- Beatrice Birardi
'Camillo De Nardis e il cinema': documenti inediti -- Antonio Caroccia
Music in ex-Yugoslav cinematography 1945-1961: on the road to musical -- Marija Ćirić
Film musicals as cinema of attractions -- Jonathan De Souza
From Liliom to Carousel to Liliom -- James I. Deutsch, Lauren R. Shaw
The finality of stories such as these: exploring narrative and concept in Stephen Sondheim's Into the Woods -- Alexandra Grabarchuk
The country girl, the emperor and some saltsticks: the musical film Spring Parade, its affinity to Viennese operetta and the changing contexts of its screen adaptations -- Clara Huber
Copland on Wilder: scoring existential theatre in early American film -- Ryan Patrick Jones
Getting off the trolley: musical contra cinematic reality -- Raymond Knapp
Carmen Jones, a faithful adaptation of Bizet's opera? -- Isabelle Le Corf, Cécile Vendramini
WYSIWYG (What you see is what you get): movie musical, film musicale, film di argomento musicale: è necessario distinguere -- Sergio Miceli
El protagonismo femenino-masculino en los musicales de Fred Astaire y Gene Kelly: vigencia y actualidad -- Matilde Olarte
Carmen Jones: between opera and musical -- Jaume Radigales, Isabel Villanueva
L'influenza del melodrama ottocentesco da Showboat a Sondheim -- Elena Redaelli
Love Life e Trouble in Tahiti: rappresentazione della famiglia americana -- Marida Rizzuti
"Lippen schweigen, 's flüstern Geigen: Hab mich Lieb!" Seduction, power relations and Lubitsch's touch in The Merry Widow -- Delphine Vincent
Betty meets Cab: the hi-de-ho man animated -- Emile Wennekes
Technology, authenticity, and the pastoral ideal: viewing Oklahoma through the lens of Todd-AO -- Leanne Wood
The elusive Mary Poppins: issues of gender and class in the Disney version (1964) and Mosfilm's Mary Poppins Goodbye (1983) -- Iryna Yaroshchuk.
Edition Notes
International conference proceedings.
Includes bibliographical references and index of names.
15 English, 1 Spanish, 4 Italian contributions.
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{{cite book|author=Massimiliano Sala |date=2012 |title=From stage to screen |publication-place=Turnhout |publisher=Brepols |isbn=978-2-503-54614-8 |oclc=811005092 |ol=44002044M}}