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"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
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Classical myths in Italian Renaissance painting
2011, Cambridge University Press
in English
1107001196 9781107001190
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Book Details
Published in
Cambridge [England], New York
Edition Notes
Includes bibliographical references (p. 249-269) and index.
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The Physical Object
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- Created October 21, 2011
- 5 revisions
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December 23, 2022 | Edited by MARC Bot | import existing book |
November 14, 2020 | Edited by MARC Bot | import existing book |
August 21, 2020 | Edited by ImportBot | import existing book |
October 23, 2011 | Edited by LC Bot | import new book |
October 21, 2011 | Created by LC Bot | Imported from Library of Congress MARC record. |