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"Examining the productions of individual studios and producers, the author discusses ways in which the genre has often been unfairly marginalized by critics and how producers have challenged and embraced this "marginally" as a vital part of their work. This provides a framework for understanding the presence of television animation in American media--and how influential it has been"--
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Table of Contents
Pencil tests (1900/1948)
Marginalia (1948/1956)
Silhouette storytelling (1957/1969)
House arrest (1970/1979)
Sweet and sour (1980/1990)
Songs of innocence and experience (1990/1999)
Dreams deferred (2000/present)
Conclusion: Where are we going.
Edition Notes
Includes bibliographical references (pages 391-401) and index.
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- Created July 18, 2019
- 8 revisions
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December 24, 2022 | Edited by ImportBot | import existing book |
December 19, 2022 | Edited by MARC Bot | import existing book |
December 7, 2022 | Edited by MARC Bot | import existing book |
November 12, 2022 | Edited by ImportBot | import existing book |
July 18, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record. |