An edition of Performing the US Latina and Latino borderlands
(2012)
Performing the US Latina and Latino borderlands
by Arturo J. Aldama, Chela Sandoval, and Peter J. García
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Performing the US Latina and Latino borderlands
2012, Indiana University Press
in English
0253002958 9780253002952
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Performing the US Latina and Latino Borderlands
2012, Indiana University Press
in English
0253008778 9780253008770
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Book Details
Table of Contents
Introduction: toward a de-colonial performatics of the US Latina and Latino borderlands / Chela Sandoval, Arturo J. Aldama, and Peter J. García
Performing emancipation: inner work, public acts. Body as codex-ized word / Cuerpo Como Palabra (en-)Códice-ado: Chicana/Indígena and Mexican transnational performative indigeneities / Micaela Díaz-Sánchez
Milongueando macha homoerotics: dancing the tango, torta style (a performative testimonio) / Maria Lugones
The other train that derails us: performing Latina anxiety disorder in "The night before Christmas" / Angie Chabram-Dernersesian
The art of place: the work of Diane Gamboa / Karen Mary Davalos
Human rights, conditioned choices, and performance in Ana Castillo's Mixquihuala letters / Carl Gutiérrez-Jones
Decolonizing gender performativity: a thesis for emancipation in early Chicana feminist thought (1969-1979) / Daphne V. Taylor-García
Ethnographies of performance: the Río Grande and beyond. Performing indigeneity in a South Texas community: los matachines de La Santa Cruz / Norma E. Cantú
Re-membering Chelo Silva: the bolero in chicana perspective (women's bodies and voices in postrevolutionary urbanization: the bohemian, urban, and transnational) / Yolanda Broyles-González
Roland Barthes, mojado, in brownface: chisme-laced snapshots documenting the preposterous and fact-laced claim that the postmodern was born along the borders of the Río Grande River / William Anthony Nericcio
Decolonial border queers: case studies of chicana/o lesbians, gay men, and transgender folks in El Paso/Juárez / Emma Pérez
"Te amo, te amo, te amo": Lorenzo Antonio and Sparx performing Nuevo México music / Peter J. García
Sonic geographies and anti-border musics: "we didn't cross the border, the borders crossed us" / Roberto D. Hernández
Lila Downs's borderless performance: transculturation and musical communication / Brenda M. Romero
Nepantla aesthetics in the trans/nacional el macho: how the women of Teatro Luna became men / Paloma Martínez-Cruz and Liza Ann Acosta
Suturing las ramblas to East LA: transnational performances of Josefina López's Real women have curves / Tiffany Ana López
Loving revolution: same-sex marriage and queer resistance in Monica palacios's Amor y revolución / Marivel T. Danielson
Is Ugly Betty a real woman? representations of Chicana femininity inscribed as a site of (transformative) difference / Jennifer Esposito
Indian icon, gay macho: Felipe Rose of Village people / Gabriel S. Estrada
(De)criminalizing bodies: ironies of performance. No somos criminales: crossing borders in contemporary Latina and Latino music / Arturo J. Aldama
"Pelones y matones": chicano cholos perform for a punitive audience / Victor M. Rios and Patrick Lopez-Aguado
Mexican hip hop: male expressive culture / Pancho McFarland
The Latino comedy project and border humor in performance / Jennifer Alvarez Dickinson
(Re)examining the Latin lover: screening chicano/latino sexualities / Daniel Enrique Pérez
Rumba's democratic circle in the age of legal simulacra / Berta Jottar-Palenzuela.
Edition Notes
Includes bibliographical references and index.
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History
- Created May 2, 2012
- 7 revisions
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| December 20, 2022 | Edited by MARC Bot | import existing book |
| September 11, 2021 | Edited by ImportBot | import existing book |
| September 11, 2021 | Edited by ImportBot | import existing book |
| October 17, 2020 | Edited by MARC Bot | import existing book |
| May 2, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |