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"The first book to tell the story of the postwar expanded cinema that would inspire the now ubiquitous presence of the moving image in contemporary art. In the 1950s and 1960s, the rise of television caused movie theaters to lose their monopoly over the moving image. Andrw V. Uroskie argues that it was this cultural displacement, rather than any formal or technological innovation, that lay at the origins of the expanded cinema."--Back cover.
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20th centuryShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Between the black box and the white cube: expanded cinema and postwar art
2014
in English
0226842983 9780226842981
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2
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
2014, University of Chicago Press
in English
1306428548 9781306428545
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Book Details
Table of Contents
Introduction: from medium to site
Rhetorics of expansion
Leaving the movie theater
Moving images in the gallery
Cinema on stage
The festival, the factory, and feedback
Epilogue: the homelessness of the moving image.
Edition Notes
Includes bibliographical references (pages 239-258) and index.
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- Created July 18, 2019
- 7 revisions
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December 21, 2022 | Edited by MARC Bot | import existing book |
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July 18, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |