An edition of The Yoruba artist (1994)

The Yoruba artist

new theoretical perspectives on African arts

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Last edited by MARC Bot
July 14, 2024 | History
An edition of The Yoruba artist (1994)

The Yoruba artist

new theoretical perspectives on African arts

  • 0 Ratings
  • 1 Want to read
  • 0 Currently reading
  • 0 Have read

The cultural legacy of the Yoruba people of Nigeria and Benin is one of Africa's oldest and richest, extending for more than nine centuries. Among the most prized achievements of African art are the naturalistic terracotta sculptures produced for the royal Yoruba courts from the eleventh to the fifteenth centuries. Also renowned for their beauty and craftsmanship are Yoruba ceremonial swords, elaborate beaded crowns, wood and ivory carvings, embroidered textiles, jewelry, and architectural works.

With twenty-seven color reproductions and eighty-one photographs - many published for the first time - accompanying essays by eighteen of the world's foremost Yoruba cultural historians, this book offers the most complete exploration of Yoruba artists and their work to date.

Documenting the full spectrum of Yoruba culture, this definitive work extends beyond the visual arts to examine, for the first time, the Yoruba use of such oral traditions as singing and chanting, as well as drumming, dance, and other artistic expressions, including an Ifa divination ritual that involves an interplay of arts.

The Yoruba Artist presents the latest in field-research and critical methodology, pointing to new directions in African cultural scholarship. The book explains the intricate linkage of a variety of Yoruba art forms and the role of oriki (praise poetry) songs in the transmission of knowledge. In one essay, Wande Abimbola illustrates how an extended praise poem serves as a source for knowledge concerning a famous eighteenth-century carver in the Old Oyo area.

In another, Oba Solomon Babayemi discusses the relationship between oral history preserved by singers and drummers and the architectural history of the palace at Gbongan.

In appraising individual figures such as Olowe of Isethis century's most important Yoruba artist - the contributors underscore particular oral and visual codes that identify authorship. Discussing the transition to current cultural forms, the essayists also show how contemporary artists in West Africa and the Americas have revitalized Yoruba aesthetic traditions.

Publish Date
Language
English
Pages
275

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Previews available in: English

Edition Availability
Cover of: The Yoruba Artist
The Yoruba Artist: New Theoretical Perspectives on African Arts
September 1994, Smithsonian Books
Hardcover in English
Cover of: The Yoruba artist
The Yoruba artist: new theoretical perspectives on African arts
1994, Smithsonian Institution Press
in English

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Book Details


Edition Notes

Includes bibliographical references (p. 251-266).
Based on a 1992 symposium held at the Museum Rietberg Zürich.

Published in
Washington

Classifications

Dewey Decimal Class
700/.89/96333
Library of Congress
NX589.6.N5 Y67 1994, NX589.6.N5Y67 1994

The Physical Object

Pagination
ix, 275 p. :
Number of pages
275

ID Numbers

Open Library
OL1411895M
Internet Archive
yorubaartistnewt0000unse
ISBN 10
1560983396, 156098340X
LCCN
93020763
OCLC/WorldCat
28583131
Library Thing
4611330
Goodreads
1694852
6102300

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History

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July 14, 2024 Edited by MARC Bot import existing book
October 30, 2022 Edited by ImportBot import existing book
September 15, 2021 Edited by ImportBot import existing book
September 15, 2021 Edited by ImportBot import existing book
April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record