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"In this work, David Rosand explores the imagery Venice developed to represent the legends of its origins and legitimacy, its divine favor and holy purpose. These themes found public expression throughout the city: in the basilica of San Marco and the Ducal Palace, at the Rialto and in the decoration of the confraternities, and in the monuments of the Piazza, the Loggetta, and the Libreria di San Marco.
Indeed, among the most significant political resources of the Most Serene Republic were the imagination and talents of her greatest artists - Gentile and Giovanni Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, and Veronese - who gave enduring visual form to the myths of Venice.".
"Myths of Venice is concerned not only with the official iconography of state per se, but with the ways in which such imagery resonates within a culture, the ways in which visual motifs acquire an aura of association and allusion dependent upon a network of shared values and habits of interpretation."--BOOK JACKET.
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Previews available in: English
Showing 4 featured editions. View all 4 editions?
Edition | Availability |
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1
Myths of Venice: The Figuration of a State
2012, University of North Carolina Press
in English
0807872792 9780807872796
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2
Myths of Venice: The Figuration of a State
2012, University of North Carolina Press
in English
146960163X 9781469601632
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3
Myths of Venice: The Figuration of a State (Bettie Allison Rand Lectures in Art History)
August 17, 2005, The University of North Carolina Press
Paperback
in English
- New Ed edition
0807856630 9780807856635
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4
Myths of Venice: The Figuration of a State
September 17, 2001, The University of North Carolina Press
Hardcover
in English
0807826413 9780807826416
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Book Details
First Sentence
"Unique in its site, built upon the mud flats of a lagoon, rising above the waters, Venice rhetorically exploited every aspect of its singularity (plate 1, fig. 1)."
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- Created April 30, 2008
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November 14, 2023 | Edited by MARC Bot | import existing book |
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