Employing the insights of recent cultural critics, Reading Marx Writing uses the eight notebooks (the Grundrisse) Marx worked on in 1857-58 to examine his literary, political, and scientific imagination and the fictional writers he admired.

By exploring the Grundrisse, the project or plan that Marx did not carry through, the author speculates on the limits and possibilities of Marx's interpretive approach for addressing current issues in philosophy and hermeneutics, critical sociology and political economy, and aesthetics and literary criticism.

The study employs certain literary works - notably a scene from Goethe's Faust and several stories from Balzac's Comedie humaine - as looking-glasses or sounding boards for Marx's political and scientific concerns and to connect themes emerging from the cultural economy of the nineteenth century.

These literary works are treated less as dramatic illustrations of Marx's life or depictions of his scientific insights than as interpretive frameworks or social fictions which give shape to both Marx's text and the writings of others working in his wake.

Through an innovative blend of German critical theory (Lukacs, Marcuse, and Habermas), French post-structuralism (Althusser, Lyotard, and Baudrillard), and Anglo-American cultural criticism (Jameson, Mitchell, and O'Neill), the author develops a unique method for articulating the play of image, text, and even music within Marx's human scientific discourse.