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This fourth edition of the leading text in the field retains the overall organization of the third, which appeared some twelve years ago. Analysis of contrapuntal music of the seventeenth and eighteenth centuries provides a basic foundation for writing in this style. - Back cover.
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Previews available in: English
Subjects
Counterpoint, History, Music, History & criticismTimes
18th centuryShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
Counterpoint: based on eighteenth-century practice
1999, Prentice Hall
Hardcover
in English
- 4th ed.
013080746X 9780130807465
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WorldCat
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2
Counterpoint: based on eighteenth-century practice
1987, Prentice-Hall
in English
- 3rd ed.
0131842358 9780131842359
|
zzzz
Libraries near you:
WorldCat
|
Book Details
Table of Contents
Introduction
The single melodic line
Principles of two-voice counterpoint
Two-voice exercises, 1:1, 2:1
Chromaticism (two voices)
Two-voice exercises (concluded)
Writing of short two-voice pieces
Canon
Invertible counterpoint
The two-part invention : motive development
Three-voice counterpoint
Writing of short pieces, three voices
Imitation in three voices
The three-part invention : the trio sonata
Fugue
Fugue (continued)
Fugue (concluded)
Forms based on the chorale
Contrapuntal variation forms
Selected bibliography
Edition Notes
Includes bibliographical references (p. 279-280) and index.
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The Physical Object
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