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As Peter Wolfe's insightful new study explains, William Gaddis has brought vigor to the classical tradition that Yeats, Joyce, and T. S. Eliot were reshaping before him. Directing this tradition to American themes, Gaddis recoils from the belief that Yankee optimism is built on abundance.
Convinced that truth can best be revealed by juxtaposition, reflection, or distortion, he illuminates his protest against the modern abundance fetish by means of indirect lighting. His favorite idiom is irony, one that rests on limited expectations. But his country doesn't suffer from scarcity, and the narrative mode he favors is the long (or mega) novel. In this regard, Gaddis calls forth Walt Whitman. Gaddis is large, embraces multitudes, and is unafraid of self-contradiction.
Thus he favors a narrative texture that's thick and heavy with a good deal of spillover. He resists imposing clean, consecutive discourse upon a reality consisting largely of a scumbling of depths, mirror images, and puzzling alternatives.
- His practice of splintering traditional storytelling modes forces us to seek merit and value along the margins. Also, by keeping the chronology of his books vague, he transmits the pressure his people feel living amid guidelines and controls that can't be seen or felt, let alone made sense of. What remains, through it all, is the richness of his moral imagination. His explorations of identity and survival stir unerring insights into the depths of human behavior.
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Previews available in: English
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Edition | Availability |
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1
A vision of his own: the mind and art of William Gaddis
1997, Fairleigh Dickinson University Press
in English
0838636942 9780838636947
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2
A Vision of His Own: The Mind and Art of William Gaddis
November 1996, Fairleigh Dickinson University Press
Hardcover
in English
0838636942 9780838636947
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Book Details
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Includes bibliographical references (p. 300-305) and index.
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- Created April 1, 2008
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April 15, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
October 18, 2009 | Edited by WorkBot | add edition to work page |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |