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An interpretation of film adaptations of Shakespeare. Drawing on traditional literary analysis, psychoanalysis, and current film theory about gender and subjectivity, the author combines close readings of seven films with historical and biographical studies of the directors who made them. The book is primarily concerned with the process of appropriation by which the conventions and practices of the the Elizabethan stage are refashioned in the contemporary medium of film, and by which the work of individual film artists is nourished and challenged by the task of adapting Shakespeare. It is meant to point some new directions for the rapidly developing field of Shakespearean film studies and to exemplify some of the ways in which students and teachers of film and literature can make best use of the possibilities for the study of Shakespeare created by the video cassette recorder and by newer technologies such as the laser disc. -Amazon
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Showing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
SHAKESPEAREAN FILMS PB (Media and Popular Culture, 6)
June 15, 1990, Other
in English
0044452306 9780044452300
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2
SHAKESPEAREAN FILMS: Media and Popular Culture, 6
June 15, 1990, Other
Paperback
in English
- 1 edition
0044452306 9780044452300
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- Created April 30, 2008
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July 23, 2024 | Edited by laurenbr1 | donaldson > peter samuel donaldson |
August 12, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 30, 2008 | Created by an anonymous user | Imported from amazon.com record |