This is the largest selection (in any language) of Erik Satie's writings yet to appear, and includes previously unpublished texts, drawings and photographs.

Dismissed as a bizarre eccentric by many, Erik Satie has come to be seen as a key influence on twentieth century music. His compositions include, among other pieces, the ubiquitous Gymnopedies, the 3 Pieces in the Form of a Pear, and the Dada opera Relache. In later life he gathered round him Les Six and the cream of the new generation of French composers.

His influence has continued to widen; John Cage and the New York School composers hailed him as "indispensable," and more recently certain of his pieces have been seen as prefiguring both Minimalist and Ambient music.

His poignant, sly and witty writings embody all his contradictions. Included here are his "autobiographical" Memoirs of an Amnesic, and wryly comic musical commentaries; the gnomic annotations to his musical scores ("For the SHRIVELLED and the DIMWITS, I have written a suitably ponderous chorale ... a kind of austere, unfrivolous introduction ...

I dedicate this chorale to those who do not like me."); the publications of his private church; his absurdist play Medusa's Snare; advertising copy for his local suburban newspaper, and the mysterious, elaborately calligraphed, "private advertisements" found stuffed behind his piano after his death.