"This catalogue documents the largest and most significant solo exhibition of Lockhart's work in an American museum to date, organized by the Museum of Contemporary Art, Chicago (MCA).

With essays by MCA curator Dominic Molon, who concentrates on the artist's transformation of conceptual photography and structuralist film, and art historian Norman Bryson, who presents a compelling examination of Lockhart's nuanced approach to narrative and the gaze, this richly illustrated volume focuses on Lockhart's photographic and cinematic work since 1994, including her major film projects Goshogaoka (1997) and Teatro Amazonas (1999)."--BOOK JACKET.