"Downtown" starts on Christmas Eve as Florida orange grower Michael Barnes, in New York on business, runs afoul of bogus cops, thieves, the mob, and a slimy movie producer. McBain piles on the action and absurdity at a furious pace as Barnes sinks deeper and deeper into the worst New York has to offer. McBain has always been adept at infusing his hard-boiled fiction with a sardonic humor that borders on the ludicrous. In "Downtown," he proves he can still walk that tightrope as he balances the hilarity of Barnes' situation with a lean, hard-hitting narrative style.

In fact, McBain's humor is so deliberately distracting, you don't realize it when he turns deadly serious. Michael Barnes may be bounced from one jam to another, but he too has a dark side, like most McBain characters. When pushed enough, he too becomes as deadly as his foes and as hard-boiled as any Raymond Chandler creation. "Downtown" is another example of Ed McBain at his best. Highly recommended.