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"This is the first major theoretical study of the four main figures of the New York School: John Ashbery, Frank O'Hara, Kenneth Koch, and James Schuyler. Proposing a reinterpretation of the definition of the avant-garde, William Watkin describes it as a movement typified by its commitment to art in process, over the final art product. In a series of in-depth, and wide-reaching, readings, he then goes on to test this assertion in detailed relation to the poetry of the New York School, while also examining how the poets' own work further develops and analyses the concept of the avant-garde in contemporary culture."--Jacket.
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Previews available in: English
Subjects
American Experimental poetry, American Poets, American poetry, Avant-garde (Aesthetics), History and criticism, Homes and haunts, In literature, Intellectual life, American poetry, history and criticism, Literature, experimental, American poetry, history and criticism, 20th century, City and town life in literature, New york (n.y.), in literature, New york (n.y.), intellectual lifePlaces
New York, New York (N.Y.), New York (State)Times
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In the process of poetry: the New York school and the avant-garde
2001, Bucknell University Press, Associated University Presses
in English
0838754678 9780838754672
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Book Details
Edition Notes
Includes bibliographical references (p. 302-311) and index.
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History
- Created April 1, 2008
- 11 revisions
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| August 31, 2025 | Edited by MARC Bot | import existing book |
| December 7, 2022 | Edited by ImportBot | import existing book |
| November 17, 2022 | Edited by ImportBot | import existing book |
| March 19, 2022 | Edited by ImportBot | import existing book |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |

