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In this lucid, revealing book, award-winning pianist and scholar Charles Rosen sheds light on the elusive music of Arnold Schoenberg and his challenge to conventional musical forms. Rosen argues that Schoenberg's music, with its atonality and dissonance, possesses a rare balance of form and emotion, making it the most expressive music ever written.
Concise and accessible, this book looks at Schoenberg's ambiguous relation both to the central tradition of Western music and to the complex developments of modernism. Rosen analyzes Schoenberg's expressionist beginnings and how they relate in theory, performance, and musical experience to the system of atonality set forth in the music of Berg, Webern, and Schoenberg himself.
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Book Details
Edition Notes
Bibliography: p. [107]-109.
Includes index.
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Scriblio MARC recordIthaca College Library MARC record
University of Prince Edward Island MARC record
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First Sentence
"In 1945, Arnold Schoenberg's application for a grant was turned down by the Guggenheim Foundation."
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- Created July 30, 2014
- 21 revisions
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July 11, 2024 | Edited by MARC Bot | import existing book |
December 13, 2023 | Edited by MARC Bot | import existing book |
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July 30, 2014 | Edited by ImportBot | import new book |