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The importance of the written word in Chinese art - as inscription, decoration or calligraphy with brush and ink - is one of the most discussed topics in the history of Chinese art. Here, Xu Bing examines the systems within the written language itself, illustrating how the visual elements articulate or create a relationship between the language user and the myriad objects around him.
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Landscape/landscript: nature as language in the art of Xu Bing
2013, Ashmolean Museum of Art and Archaeology, University of Oxford
in English
1854442694 9781854442697
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Table of Contents
Edition Notes
Published to accompany the exhibition of the same name held at the Ashmolean Museum, Oxford, 28th February-19th May 2013.
Map on inside covers.
Includes bibliographical references (pages 204).
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- Created December 21, 2022
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January 30, 2024 | Edited by ImportBot | import existing book |
December 21, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |