Späte Stummfilme
ästhetische Innovation im Kino 1924-1930
by Heinz-Peter Preusser
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The contributors usually focus on one film from the period, put it in the historical, cultural, political and, above all, the formaesthetic context of its creation - and elucidate other works of the investigated director or process-related films. This creates a panoptic of aesthetic innovation in the late silent film with its selected and outstanding artifacts.
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Silent films, History and criticism, Motion pictures, Aesthetics, HistoryTimes
20th centuryShowing 1 featured edition. View all 1 editions?
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Späte Stummfilme: ästhetische Innovation im Kino 1924-1930
2017, Schüren
in German
3894729597 9783894729592
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Edition Notes
Series of lectures with contributions from Heinz-Peter Preuss (Bielefeld), Meinolf Schumacher (Bielefeld), Norbert M. Schmitz (Kiel), Matthis Kepser (Bremen), Irmbert Schenk (Bremen), Joachim Michael (Bielefeld), Karl Prümm (Marburg), Torsten Voss (Bielefeld), Judith Ellenbürger (Marburg), Helmut G. Asper (Bielefeld), Claudia Liebrand (Cologne), Nathalie Mälzer (Hildesheim, Julian Hanich (Groningen, NL)
Includes bibliographical references and filmography.
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- Created December 20, 2022
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