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'Boisgeloup Opens its Doors to Scully', or 'Scully Opens his Doors to Boisgeloup'. 'Ideas and plans that existed in the mind at the start were simply the doorway through which one left the world in which they occur'- Mark Rothko. 'What makes him the most important abstract artist of his generation is his capacity to utilize [older] sources as a door to essentially unpredictable ways.' -David Carrier. The image of the door or doorway offers an abiding metaphor, or unifying thread that can be traced through much of Sean Scully's work over the past decades. In his own words, Scully has 'always been fascinated with the architecture, the architectural metaphor, of the door, of the passing through.' Indeed, the door is most evidently visible, even palpable, in the projections, retractions, and clashing of orthogonal and parallel bands, constitutive of his iconic stripe paintings. The doorway often functions (like the window, another metaphor Scully is fond of) as a conduit between light and obscurity, outside and inside - a way of looking at two things at once, a way of actually inserting another presence into a field.'- Joachim Pissarro. Exhibition: Château de Boisgeloup, Gisors, France (26.10.-17.11.2019)
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Showing 9 featured editions. View all 9 editions?
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Sean Scully: Celtique
2020, Almine Rech Gallery, Almine Rech Editions
in English
2930573341 9782930573342
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Sean Scully: la surface peinte ; [exposition: 16 mai - 5 juillet 2008]
2008, Galerie Lelong, GALERIE LELONG
in Multiple languages
2868820867 9782868820860
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Book Details
Edition Notes
Catalog of an exhibition held at the Château de Boisgeloup, Gisors, France from October 26 - November 17, 2019
One of 500 copies
Some pages intentionally left untrimmed
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- Created December 15, 2022
- 2 revisions
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April 20, 2023 | Edited by ImportBot | import existing book |
December 15, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |