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In The Milk of Inquiry, poet and critic Wayne Koestenbaum has written his most beautiful book - more mediative and more provocative than his previous, much-praised work.
The volume's most ambitious gesture is a long poem, "Metamorphoses (Masked Ball)," a sequence of 115 bawdy, speedy sonnets, spoken by mythological figures ghosting as historical personages - among them, Orpheus speaking as Elvis, Proserpina speaking as Freud, Adonis speaking as Cleopatra, and Daphne speaking as Wilde. The swirling disobedient voices form a closet drama, a splintered monologue, a shadow theater of violation and transfiguration.
The book begins with short lyrics that show Koestenbaum's opulent sensibility at its most austere. Meanwhile, in a long autobiographical poem, "Four Lemon Drops," he jostles the reader with pleasurable, roller-coaster swerves, and hurtles - in quatrains - between the poles of irony and lament.
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- Created April 1, 2008
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July 16, 2024 | Edited by MARC Bot | import existing book |
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April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |