An edition of Background noise (2006)

Background noise

perspectives on sound art

Second edition.

by

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Background noise
Brandon LaBelle
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Last edited by ImportBot
February 26, 2022 | History
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An edition of Background noise (2006)

Background noise

perspectives on sound art

Second edition.

by

  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

"Follows the development of sound as an artistic medium and illustrates how sound is put to use within modes of composition, installation, and performance"--

Publish Date
Publisher
Bloomsbury Academic
Language
English
Pages
351

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Previews available in: English

Subjects
Modern Arts, Performance art, Site-specific art, Sound in art, History and criticism, Sound (Philosophy), Avant-garde (Music), Musique concrète, History, Soundproofing, Art, modern, 20th century, Art, modern, 21st century, Installations (art)
Times
20th century

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Edition Availability
Cover of: Background noise
Background noise: perspectives on sound art
2015, Bloomsbury Academic
in English - Second edition.
  • Not in Library
Libraries near you: WorldCat
Cover of: Background noise
Background noise: perspectives on sound art
2006, Continuum International, Continuum Intl Pub Group
in English
Libraries near you: WorldCat

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Book Details

Table of Contents

Machine generated contents note:
AcknowledgementsPreface to the Second EditionIntroduction: Auditory Relations Fade InPart 1: 4'33": Sound and Points of OriginIntroduction to Part 1 Chapter 1 Sociality of Sound: John Cage and Musical ConceptsChapter 2 Exposing the Sound Object:Musique Concrète's Sonic Research Chapter 3 Automatic Music: Group Ongaku's Performative Labors Part 2: Box with the Sound of Its Own Making: From Gags to Sculptural Form Introduction to Part 2 Chapter 4 Rhythms of Chaos: Happenings, Environments, and Fluxus Chapter 5 Minimalist Treatments: La Monte Young and Robert Morris Chapter 6 Conceptualizations:Michael Asher and the Subject of Space Part 3: I Am Sitting in a Room: Vocal IntensitiesIntroduction to Part 3 Chapter 7 Performing Desire/ Performing Fear: Vito Acconci and the Power Plays of Voice Chapter 8 Finding Oneself: Alvin Lucier and the Phenomenal VoiceChapter 9 Word of Mouth: Christof Migone's Little ManiasPart 4: Public Supply: Buildings, Constructions, and Locational ListeningIntroduction to Part 4 Chapter 10 Tuning Space:Max Neuhaus and Site-Specific SoundChapter 11 Other Architectures:Michael Brewster, Maryanne Amacher, and Bernhard LeitnerChapter 12 Composing Intensities: Iannis Xenakis's Multimedia Architectures Part 5: Soundmarks: Environments and Aural GeographyIntroduction to Part 5 Chapter 13 Seeking Ursound: Hildegard Westerkamp, Steve Peters, and the Soundscape Chapter 14 Language Games: Yasunao Tone and the Mechanics of Information Chapter 15 Complicating Place: Bill Fontana and Networking the Soundscape Part 6: Global Strings: Interpersonal and Network Space Introduction to Part 6 Chapter 16 Interactions: Achim Wollscheid's Production of the Local Chapter 17 Global Events: Atau Tanaka and Network as Instrument Chapter 18 Live Streams: Apo33 and Multiplying Place Fade Out Conclusion: Auditive Pivot Appendix: Peripheries - subnature, phantom memory, and dirty listeningList of Works Cited Index.

Edition Notes

Includes bibliographical references and index.

Published in
New York

Classifications

Dewey Decimal Class
709.04/07
Library of Congress
NX650.S68 L33 2015, NX650.S68L33 2015

The Physical Object

Pagination
xx, 351 pages
Number of pages
351

ID Numbers

Open Library
OL31052888M
ISBN 13
9781628923520
LCCN
2014041026

Source records

Library of Congress MARC record
Better World Books record

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
February 26, 2022 Edited by ImportBot import existing book
November 13, 2020 Created by MARC Bot Imported from Library of Congress MARC record