An edition of The music of Carl Philipp Emanuel Bach
(2014)
The music of Carl Philipp Emanuel Bach
by David Schulenberg
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Focusing on C. P. E. Bach's compositional choices within his social and historical context, Schulenberg shows how C. P. E. Bach deliberately avoided his father's style while borrowing from the manner of his Berlin colleagues, who were themselves inspired by Italian opera. Schulenberg also shows how C. P. E. Bach, now best known for his virtuoso keyboard works, responded to changing cultural and aesthetic trends by refashioning himself as a writer of vocal music and popular chamber compositions.
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Music of Carl Philipp Emanuel Bach
2014, Boydell & Brewer, Incorporated
in English
1322127301 9781322127309
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Music of Carl Philipp Emanuel Bach
2014, University of Rochester Press
in English
1580468829 9781580468824
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Book Details
Table of Contents
Emanuel Bach in context
A student in Leipzig
Leipzig : first works
From Leipzig to Frankfurt (Oder) and Berlin
Joining the court : Bach at Berlin
Bach's works of the 1740s : sonatas, concertos, trios
Beyond the court
Berlin and after : songs and the new aesthetic of vocal music
Leaving the court : music mainly for concerts
The later keyboard music
Church piece and oratorio at Hamburg
Swan songs.
Edition Notes
"Note about online supporting material": unnumbered page xvii.
Includes bibliographical references (pages 379-397) and index.
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