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Known for her early repetitions of the work of her contemporaries including Jasper Johns, Roy Lichtenstein, Claes Oldenburg, James Rosenquist and Andy Warhol Elaine Sturtevant (1924-1914) turned the visual logic of Pop art back on itself, using Duchamps model of the readymade to probe uncomfortably at the workings of art history in real time. Yet the aspect of her work that allowed her to be described as the one artist who can't be copied her chameleon-like embrace of other artists art is also what has allowed her to be largely overlooked in the history of postwar American art. Featuring previously unpublished drawings and sketches from the artists archive, the book includes an essay by the exhibition curator that provides a comprehensive overview of the artists practice while situating it more concretely within American culture
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Sturtevant (1924-2014)Showing 1 featured edition. View all 1 editions?
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Sturtevant: double trouble
2014, Museum of Modern Art, New York. Distributed by Artbook/D.A.P., New York.
in English
0870709496 9780870709494
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Edition Notes
Catalog of an exhibition held November 9, 2014-February 22, 2015 at The Museum of Modern Art, New York, and March-July 2015 at the Museum of Contemporary Art, Los Angeles.
Includes bibliographical references (pages 172-181) and index.
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- Created July 18, 2019
- 6 revisions
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August 11, 2024 | Edited by MARC Bot | import existing book |
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July 18, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |