An edition of El Aleph (1949)

Das Aleph

Erzählungen 1944 bis 1952

  • 4.0 (9 ratings) ·
  • 78 Want to read
  • 7 Currently reading
  • 13 Have read
Das Aleph
Jorge Luis Borges
Not in Library

My Reading Lists:

Create a new list

Check-In

×Close
Add an optional check-in date. Check-in dates are used to track yearly reading goals.
Today

  • 4.0 (9 ratings) ·
  • 78 Want to read
  • 7 Currently reading
  • 13 Have read

Buy this book

Last edited by dcapillae
December 23, 2021 | History
An edition of El Aleph (1949)

Das Aleph

Erzählungen 1944 bis 1952

  • 4.0 (9 ratings) ·
  • 78 Want to read
  • 7 Currently reading
  • 13 Have read

Ilustrated Edition
Licensed Edition from Carl Hanser Verlag, Munich, Germany

Publish Date
Language
German
Pages
202

Buy this book

Previews available in: Spanish

Edition Availability
Cover of: El Aleph
El Aleph
2009, Emece Editores
Paperback in Spanish
Cover of: Das Aleph
Das Aleph: Erzählungen 1944 bis 1952
2007, Büchergilde Gutenberg
hardcover in German
Cover of: El aleph
El aleph
2001, El Colegio de México
in Spanish
Cover of: El Aleph
El Aleph
2000, Sol 90
Texto impreso in Spanish
Cover of: El Aleph
El Aleph
1972, Alianza
in Spanish
Cover of: El Aleph
El Aleph
1963, Emecé Editores
in Spanish - 4a. ed.

Add another edition?

Book Details


Table of Contents

Der Unsterbliche. 9
Der Tote. 30
Die Theologen. 38
Geschichte vom Krieger und der Gefangenen. 50
Biographie von Tadeo Isidoro Cruz (1829-1874). 57
Emma Zunz. 63
Das Haus des Asterion. 71
Der andere Tod. 76
Deutsches Requiem. 86
Averroes auf der Suche. 96
Der Zahir. 108
Die Inschrift des Gottes. 120
Ibn Hakkan al-Bokhari, gestorben in seinem Labyrinth. 128
Die zwei Könige und die zwei Labyrinthe. 141
Die Wartezeit. 143
Der Mann auf der Schwelle. 149
Das Aleph. 157
Epilog. 178
Anhang
Editorische Notiz. 183
Anmerkungen. 187

Edition Notes

Published in
Frankfurt am Main, Germany, Vienna, Austria, Zurich, Switzerland

Contributors

Copyright
Büchergilde Gutenberg, Frankfurt am Main, Germany; Vienna, Austria; Zurich, Switzerland; 2007
Book Designer
Thomas Pradel, Frankfurt am Main, Germany
Typesetter
Dörlemann Satz, Lemförde, Germany
Printer
Ebner & Spiegel, Ulm, Germany
Illustrator
Nikola Röthemeyer, Berlin, Germany
Translator
August Horst, Gisbert Haefs

The Physical Object

Format
hardcover
Pagination
199
Number of pages
202
Dimensions
21,5 x 15,2 x 2,2 centimeters
Weight
484 grams

ID Numbers

Open Library
OL25771959M
ISBN 13
9783763258406
Deutsche National Bibliothek
987039989

Work Description

In Borges' story, the Aleph is a point in space that contains all other points. Anyone who gazes into it can see everything in the universe from every angle simultaneously, without distortion, overlapping, or confusion. The story traces the theme of infinity found in several of Borges' other works, such as "The Book of Sand". As in many of Borges' short stories, the protagonist is a fictionalized version of the author. At the beginning of the story, he is mourning the recent death of a woman whom he loved, named Beatriz Viterbo, and resolves to stop by the house of her family to pay his respects. Over time, he comes to know her first cousin, Carlos Argentino Daneri, a mediocre poet with a vastly exaggerated view of his own talent who has made it his lifelong quest to write an epic poem that describes every single location on the planet in excruciatingly fine detail. Later in the story, a business on the same street attempts to tear down Daneri's house in the course of its expansion. Daneri becomes enraged, explaining to the narrator that he must keep the house in order to finish his poem, because the cellar contains an Aleph which he is using to write the poem. Though by now he believes Daneri to be quite insane, the narrator proposes without waiting for an answer to come to the house and see the Aleph for himself. Left alone in the darkness of the cellar, the narrator begins to fear that Daneri is conspiring to kill him, and then he sees the Aleph for himself: "On the back part of the step, toward the right, I saw a small iridescent sphere of almost unbearable brilliance. At first I thought it was revolving; then I realised that this movement was an illusion created by the dizzying world it bounded. The Aleph's diameter was probably little more than an inch, but all space was there, actual and undiminished. Each thing (a mirror's face, let us say) was infinite things, since I distinctly saw it from every angle of the universe. I saw the teeming sea; I saw daybreak and nightfall; I saw the multitudes of America; I saw a silvery cobweb in the center of a black pyramid; I saw a splintered labyrinth (it was London); I saw, close up, unending eyes watching themselves in me as in a mirror; I saw all the mirrors on earth and none of them reflected me; I saw in a backyard of Soler Street the same tiles that thirty years before I'd seen in the entrance of a house in Fray Bentos; I saw bunches of grapes, snow, tobacco, lodes of metal, steam; I saw convex equatorial deserts and each one of their grains of sand..." Though staggered by the experience of seeing the Aleph, the narrator pretends to have seen nothing in order to get revenge on Daneri, whom he dislikes, by giving Daneri a reason to doubt his own sanity. The narrator tells Daneri that he has lived too long amongst the noise and bustle of the city and spent too much time in the dark and enclosed space of his cellar, and assures him that what he truly needs are the wide open spaces and fresh air of the countryside, and these will provide him the true peace of mind that he needs to complete his poem. He then takes his leave of Daneri and exits the house. In a postscript to the story, Borges explains that Daneri's house was ultimately demolished, but that Daneri himself won second place for the Argentine National Prize for Literature. He also states his belief that the Aleph in Daneri's house was not the only one that exists, based on a report he has discovered, written by "Captain Burton" (Richard Francis Burton) when he was British consul in Brazil, describing the Mosque of Amr in Cairo, within which there is said to be a stone pillar that contains the entire universe; although this Aleph cannot be seen, it is said that those who put their ear to the pillar can hear a continuous hum that symbolises all the concurrent noises of the universe heard at any given time. - Wikipedia.

Community Reviews (0)

Feedback?
No community reviews have been submitted for this work.

History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
December 23, 2021 Edited by dcapillae Merge works
December 23, 2021 Edited by Mignon Belongie Edited without comment.
August 22, 2020 Edited by ISBNbot2 normalize ISBN
September 26, 2015 Edited by Thomas Gockel added this edition to the work
September 26, 2015 Created by Thomas Gockel Added new book.