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Inserted within a frequent trend in Cuba’s most recent literature--narratives with a strong autobiographical mark and an inclination towards social criticism in which it is very difficult to separate reality from fiction--Guerra Naranjo’s first novel goes into great detail about opportunism and the lack of scruple, which have come to the surface due to the country’s economic difficulties, in Cuban society, and, especially, within the “learned city” in which three writers--the book’s main characters--strive for recognition, which only one of them will enjoy, regardless of how reprehensible the ways to reach their goal may be.
Source: CubaAbsolutely
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- Created July 26, 2011
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January 2, 2023 | Edited by MARC Bot | import existing book |
December 24, 2022 | Edited by MARC Bot | import existing book |
October 17, 2020 | Edited by MARC Bot | import existing book |
July 26, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |