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When Shakespeare gave up tragedy around 1607 and turned to the new form we call romance or tragicomedy, he created a distinctive poetic idiom that often bewildered audiences and readers. The plays of this period, Pericles, Cymbeline, The Winter's Tale, The Tempest, as well as Shakespeare's part in the collaborations with John Fletcher (Henry VIII and The Two Noble Kinsmen), exhibit a challenging verse style - verbally condensed, metrically and syntactically sophisticated, both conversational and highly-wrought. In Shakespeare's Late Style, McDonald anatomizes the components of this late style, illustrating in a series of topically organized chapters the contribution of such features as ellipsis, grammatical suspension, and various forms of repetition. Resisting the sentimentality that frequently attends discussion of an artist's 'late' period, Shakespeare's Late Style shows how the poetry of the last plays reveals their creator's ambivalent attitude towards art, language, men and women, the theatre, and his own professional career.
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1
Shakespeare's Late Style
2006, Cambridge University Press
E-book
in English
0511242867 9780511242861
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Shakespeare's Late Style
September 4, 2006, Cambridge University Press
Hardcover
in English
- 1 edition
0521820685 9780521820684
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- Created June 23, 2010
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November 19, 2022 | Edited by ImportBot | import existing book |
November 19, 2022 | Edited by ImportBot | import existing book |
November 18, 2022 | Edited by ImportBot | import existing book |
December 14, 2012 | Edited by VacuumBot | Updated format 'eBook' to 'E-book'; Removed author from Edition (author found in Work) |
June 23, 2010 | Created by ImportBot | Imported from marc_overdrive MARC record |