An edition of A geometry of music (2010)

A geometry of music

harmony and counterpoint in the extended common practice

A geometry of music
Dmitri Tymoczko, Dmitri Tymocz ...
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Last edited by MARC Bot
3 days ago | History
An edition of A geometry of music (2010)

A geometry of music

harmony and counterpoint in the extended common practice

How is the Beatles' "Help!" similar to Stravinsky's "Dance of the Adolescents?" How does Radiohead's "Just" relate to the improvisations of Bill Evans? And how do Chopin's works exploit the non-Euclidean geometry of musical chords? In this groundbreaking work, author Dmitri Tymoczko describes a new framework for thinking about music that emphasizes the commonalities among styles from medieval polyphony to contemporary rock. Tymoczko identifies five basic musical features that jointly contribute to the sense of tonality, and shows how these features recur throughout the history of Western music. In the process he sheds new light on an age-old question: what makes music sound good? A Geometry of Music provides an accessible introduction to Tymoczko's revolutionary geometrical approach to music theory.^

The book shows how to construct simple diagrams representing relationships among familiar chords and scales, giving readers the tools to translate between the musical and visual realms and revealing surprising degrees of structure in otherwise hard-to-understand pieces. Tymoczko uses this theoretical foundation to retell the history of Western music from the eleventh century to the present day. Arguing that traditional histories focus too narrowly on the "common practice" period from 1680-1850, he proposes instead that Western music comprises an extended common practice stretching from the late middle ages to the present. He discusses a host of familiar pieces by a wide range of composers, from Bach to the Beatles, Mozart to Miles Davis, and many in between. A Geometry of Music is accessible to a range of readers, from undergraduate music majors to scientists and mathematicians with an interest in music.^

Defining its terms along the way, it presupposes no special mathematical background and only a basic familiarity with Western music theory. The book also contains exercises designed to reinforce and extend readers' understanding, along with a series of appendices that explore the technical details of this exciting new theory [Publisher description].

Publish Date
Language
English
Pages
450

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Book Details


Edition Notes

Includes bibliographical references and index.

Published in
New York
Series
Oxford studies in music theory

Classifications

Dewey Decimal Class
781.2
Library of Congress
MT50 .T98 2010, MT50.T98 2010, MT50 .T98 2011

The Physical Object

Pagination
p. cm.
Number of pages
450

Edition Identifiers

Open Library
OL23980503M
ISBN 13
9780195336672
LCCN
2009046428
OCLC/WorldCat
463675809

Work Identifiers

Work ID
OL18748906W

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