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Demonstrates that the theories of Heinrich Schenker can illuminate not only the technical aspects of jazz, but also its artistic content. The book offers detailed analysis of Larson's transcriptions into musical notation of five complete recorded performances of Thelonious Monk's classic jazz composition "'Round Midnight" : two recorded by the composer, one by Oscar Peterson, and two by Bill Evans.
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Subjects
Analysis, appreciation, Jazz, Schenkerian analysisShowing 2 featured editions. View all 2 editions?
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Book Details
Table of Contents
Introduction
Questions about method
Round midnight
A solo-piano performance by Oscar Peterson
Ensemble performances by Bill Evans
Conclusions.
Edition Notes
Includes bibliographical references and index.
Classifications
The Physical Object
ID Numbers
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- Created September 18, 2009
- 2 revisions
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August 10, 2010 | Edited by WorkBot | add editions to new work |
September 18, 2009 | Created by ImportBot | Imported from Library of Congress MARC record |