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"Although many societies in the Congo were once renowned for their vibrant masquerades and architectural sculpture, these phenomena have only been studied as living traditions among a handful of peoples, most notably the Pende. Building on the extended fieldwork of numerous researchers since the 1950s, this text offers a window into the dynamic contexts for the arts in Central Africa. The volume privileges Pende voices as it seeks to understand the interrelationship between ritual practice and aesthetic form. Attentive to history, the author also records how these artistic practices have responded, sometimes unpredictably, to both colonial and post-colonial pressures"--Jacket.
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Subjects
Art, Pende, History, Masks, Pende, Masquerades, Pende (African people), Pende Art, Pende Masks, Rites and ceremonies, Social life and customs, Sculptors, biography, Aesthetics, history, Congo (democratic republic), biography, Congo (democratic republic), history, Congo (democratic republic), social life and customsPlaces
Congo (Democratic Republic)Edition | Availability |
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Book Details
Edition Notes
Includes bibliographical references (p. 112-119).
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The Physical Object
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History
- Created February 17, 2009
- 10 revisions
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September 3, 2024 | Edited by MARC Bot | import existing book |
January 30, 2024 | Edited by ImportBot | import existing book |
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February 17, 2009 | Created by ImportBot | Imported from Library of Congress MARC record |