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Almost a half-century after Yayoi Kusama debuted her landmark installation 'Infinity Mirror Room - Phalli's Field' (1965) in New York, the work remains challenging and unclassifiable. Jo Applin looks at the installation in detail and places it in the context of subsequent art practice and theory as well as Kusama's own (as she called it) 'obsessional art'.
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| August 25, 2024 | Edited by MARC Bot | import existing book |
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