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"Vladimir Jankelevitch left behind a remarkable oeuvre steeped as much in philosophy as in music. His writings on moral quandaries reflect a lifelong devotion to music and performance, and as a counterpoint, he wrote on music aesthetic and on modernist composers such as Taure, Debussy, and Ravel. Music and the Ineffable brings together these two threads, the philosophical and the musical, as an extraordinary quintessence of his thought. Jankelevitch deals with classical issues in the philosophy of music, including metaphysics and ontology. These are a point of departure for a sustained examination and dismantling of the idea of musical hermeneutics in its conventional sense."--Jacket.
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Includes bibliographical references (p. [157]-167) and index
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- Created September 27, 2008
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September 12, 2024 | Edited by MARC Bot | import existing book |
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September 27, 2008 | Created by ImportBot | Imported from Miami University of Ohio MARC record |