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Social attitudes and an attempt to view the contribution of women music makers who represent Karnatak tradition.
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Subjects
History and criticism, Carnatic music, Women musicians, Music, HistoryPlaces
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Edition | Availability |
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1
The Madras quartet: women in Karnatak music
1999, Lotus Collection
in English
8174360786 9788174360786
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Book Details
Table of Contents
Machine generated contents note: THE BEGINNINGS
The Bhakti Movement, 11; The Early Composers, 16;
Royal Patrons, 18; The Trinity, 22
THE TRANSITION. KAMAKSHI AMMAL 1810-1890
A Tale of Two Cities, 34; The Devadasi System, 39;
The Anti-Nautch Movement, 45
THE PIONEER WOMEN MUSICIANS 1900-1930
Veena Dhanam and Her Contemporaries, 55; Dhanakoti
Ammal, 67; Bangalore Nagaratnammal, 69
THE MODERN AGE: TECHNOLOGY
AND CULTURAL CHANGE
The Gramophone, 73; The Radio, 81; The Cinema, 84;
Voice Culture and the Microphone, 85; From Prince
to Populace, 89; Gurukula in Eclipse, 99; The Social Roots of Karnatak Music, 101
The Trend-Setters and the GNB Phenomenon, 107
THE STRUCTURE OF KARNATAK MUSIC
THE MADRAS QUARTET
Madurai Shanmukhavadivu Subbulakshmi, 123;
Tanjore Brinda, 143; Damal Krishnaswamy Pattammal, 157
Madras Lalithangi Vasanthakumari, 167
Appendices
Glossary
Bibliography.
Edition Notes
Includes bibliographical references (p. 186-188).
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