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"This inventive first novel explores the widespread problem of female depression. A 27-year-old drama teacher named Joy Stone is losing her grip on the world. The problems of everyday living accumulate and begin to torture the narrator, who blames her problems not on her work or on the accidental death of her illict lover, but on herself. She reads horoscopes, plucks hairs, holds conversations inside and outside herself. A terrible memory tries to unfold but is resisted.
Family and friends take on monstrous or pitiful guises; food threatens to become a major character. Clutching at the wrong things, the trick is to find those that let life go on. As things seen, things bought, and things said become obsessions, so the author conjures up the homely or horrifying world of litter in which the reader, like the heroine, lives."--BOOK JACKET.
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Previews available in: English
Subjects
Depression, Mental, Fiction, Mental Depression, Women teachers, Scotland, fiction, Fiction, psychologicalPlaces
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The Trick Is to Keep Breathing: A Novel
September 1995, Dalkey Archive Press
Paperback
in English
1564780813 9781564780812
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The Trick is to Keep Breathing: A Novel
1994, Dalkey Archive Press
Hardcover
in English
- 1st American ed.
1564780465 9781564780461
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WorldCat
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3 |
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Work Description
Meticulously observed, agonizing and funny, this unconventional account of clinical depression marks the novelistic debut of the author of the praised short-story collection Blood. Drama teacher Joy Stone has become severely depressed following the death of her married lover. Surrounded by his effects in the house they briefly shared, she can't summon the will to work or even to eat, nor can she benefit from the concern of her friends. Interspersed flashbacks to the day of her lover's death have a sensual, physical quality that contrasts vividly with Joy's present detachment. The nature of Joy's illness--and its accurate depiction, captured partly by an unusual spacing of the text in addition to journal entries, interviews and impressionistic passages--makes her a difficult choice for a narrator: readers may lose patience with her lassitude or be unwilling to put in the time needed to decipher the basic plot. However, the ironic, self-mocking tone that ultimately saves Joy also saves the narrative. Faced with an impersonal health care system, her sense of the ridiculous takes over, and with it self-reliance. Galloway delivers a thoughtful, witty chronicle of depression and potential renewal.
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