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The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems - money, logos, corporate names, stamps - to create intimate situations among the participants. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus's Max Bill to Anna Freud Banana. -- Publisher.
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Subjects
Social aspects, Art and society, Aesthetics, Group work in art, Modern Art| Edition | Availability |
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Networked Art
June 2001, University of Minnesota Press
Hardcover
in English
0816637067 9780816637065
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Networked Art
June 2001, University of Minnesota Press
Paperback
in English
0816637075 9780816637072
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| February 10, 2026 | Edited by MARC Bot | import existing book |
| July 28, 2020 | Edited by MARC Bot | import existing book |
| April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
| February 13, 2010 | Edited by WorkBot | add more information to works |
| December 10, 2009 | Created by WorkBot | add works page |


