An edition of Zao Wou-Ki
(1969)
Zao Wou-Ki
No limits = Zhao Wuji
by Zao Wou-Ki
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Last edited by Charles Horn
July 2, 2021 | History
The Chinese-French painter Zao Wou-Ki (1920-2013) developed a distinctive abstract style blending the visual poetry of Chinese painting and calligraphy with European pictorial traditions. This volume presents the artist's life and work. The essays consider the reception of Zao's work in the United States, his engagement with postwar abstraction, and his exploration of various artistic media.
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Subjects
Exhibitions, Painting, chinesePeople
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Book Details
Table of Contents
Introduction / -- Ankeney Weitz and Melissa Walt
Zao Wou-Ki and the split-space of enunciation -- Ankeney Weitz
Zao Wou-Ki in America -- Melissa Walt
Zao Wou-Ki and the avant-garde -- Michelle Yun
Remembering Wou-Ki -- Phebe Chao-- Works in the exhibition.
Edition Notes
Published to accompany an exhibition held at the Asia Society Museum, September 9, 2016-January 8, 2017 and at the Colby College Museum of Art, February 4-June 4, 2017.
Includes bibliographical references and index.
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| July 2, 2021 | Edited by Charles Horn | merge authors |
| August 24, 2020 | Edited by ImportBot | import existing book |
| July 19, 2019 | Created by MARC Bot | import new book |