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Surveying the art of 5 decades, from 1867 to 1917, this book follows the broad and diverse ways that artists and their public learnt to see and to judge works of art abstractly. It argues that abstraction arose directly from a tradition of speculation about the nature of art and of aesthetic experience.
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Abstraction: paths to abstraction, 1867-1917
2010, Art Gallery of New South Wales
in English
1741740568 9781741740561
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Book Details
Edition Notes
Essays by Jean-Claude Lebensztejn, Richard Shiff, Annegret Hoberg and Terence Maloon.
Catalogue of an exhibition held at the Art Gallery of New South Wales, Sydney, 26 June-19 September 2010.
Includes bibliographic references and index.