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Inasmuch as Emilia Galotti belongs to that class of tragedy in which the hero is driven to decisive action not by his own passions, but by those of other persons, it is necessary that the play should open with the persons of secondary importance. Hence it is the Prince and Marinelli with whose characters the poet has to make us acquainted and whose motives for plotting against Emilia he must reveal to us.
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Emilia Galotti: A Tragedy in Five Acts
April 1992, German Book Center
Paperback
in English
091732417X 9780917324178
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Edition Notes
Bibliography: p. [xlii]-xivi.
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