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This 19th century music treatise discusses the nature of harmony and meter. Hauptmann finds rational explanations for musical harmony and meter from a Hegelian perspective, i.e., that of thesis, antithesis, and synthesis (he uses the terms unity, opposition, and unified oposition). Harmonically, Hauptmann is essentially a dualist like Oettigen, Riemann, and others.
Publish Date
1888
Publisher
S. Sonnenschein
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Subjects
Harmony, Musical meter and rhythmEdition | Availability |
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November 16, 2011 | Edited by 76.187.213.163 | Edited without comment. |
December 4, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
December 10, 2009 | Created by WorkBot | add works page |