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Playful and phantasmagorical, the painting of Michel Tyszblat crosses the second half of the 20th century with a remarkable singularity. Close to the narrative Figuration without embracing all the principles, the work of this artist, who lived all his life in Paris, magnifies a poetic imaginary that explores, in turn, technology, the urban world and music, among other themes.--Page 4 of cover.
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Subjects
Criticism and interpretation, Painters, HistoryPeople
Michel Tyszblat (1936-2013)Places
FranceTimes
20th centuryEdition | Availability |
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1 |
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Book Details
Table of Contents
Préface -- Jean-Jacques Aillagon
Michel Tyszblat, orpailleur d'images --
1966-1969, les jouets, Vers un art figura --
1970-1975, l'univers de la technologie, Matrice d'une énergie poétique --
1976-1979, des éléments, Le géomètre poète --
1980-1989, les rues, La fiction urbaine vole en éclats --
1989-1995, les portraits, Vers une conquête du geste --
1995-1999, les grotesques, La liberté du geste et le plaisir de peindre --
2000-2009, petites cosmogonies, Danseuses, sarabandes, rébus, assiettes --
2009-2011, le jazz, Pour une double improvisation --
2013, les laques, Ultimes salves sonores --
Réalisation sculpturales et à divers --
Verbatim.
Edition Notes
Includes bibliographical references.
Texts in French and English.
Classifications
The Physical Object
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