The book brings us closer to the work of artist and muralist Jose Chavez Morada (Mexico 1909-2002) and portrays a fresh perspective away from the common topics, through a closer look on the personal life of the painter. Although the last chapter reviews the sketches he used to create his murals, because the beauty and importance of these works is undeniable, rather than putting them as the centerpiece of the book, Villasana presents them only as part of the work of the Silao native artist. The author also discusses two important aspects in Chávez Morado's life: his political militancy and Olga Costa's influence on his life. It is known that the artist was part of the Mexican Communist Party, although he always had a critical and autonomous look at the labor movement. This work is a broader, closer look at an artist who dare to portray the bare foot Mexican, bluntly and without idealizations, and whose work "reveals the weight that hybrid cultures have in a look that is more erotic than tragic, sometimes humorous, but always Mexican." As well as the exhibition "Mexico Boceteado" presented by MiMuseo (Universidad De La Salle, Bajío), this book is built with the sketches, cartoons, engravings and drawings of an exceptional author, which came together in the graphic exhibition and in this edition. "Mexico is yet to be defined. The fight against the same evils continues: authoritarianism, indolence, bureaucracy, corruption, inequality and intolerance. They are all represented in his work." (HKB Translation) --Page 9.