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For the second issue, historian and independent curator Manuel Neves explores the biographical context and the artistic production of Antonio Slepak (Montevideo, Uruguay, 1939-2016). Distanced from the academic artistic education processes, Slepak was no stranger to the avant-garde movements of his time, such as Informalism and Geometrical Abstraction. In Emblems of Reality, Neves reviews Antonio Slepakœs body of works, which is not only composed by formal syntheses and graphic experimentations, but also is constituted as a vehicle to develop a sociopolitical critique of Montevideoœs reality of that time.
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Subjects
Criticism and interpretation, Uruguayan Art, Modern Art, ArtistsPeople
Antonio Slepak (1939- 2016)Places
UruguayTimes
20th centuryShowing 1 featured edition. View all 1 editions?
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1
Antonio Slepack: emblemas de la realidad = emblems of reality
2019, Walden Gallery
in Spanish
- Primera edición.
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Book Details
Table of Contents
Edition Notes
Title from cover.
Issues also have distinctive theme title.
Issue II (Primavera - Spring 2019)
Includes bibliographical references (page [32])
Parallel Spanish/English text.
The Physical Object
ID Numbers
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