Like so many other Uruguayan artists, Elsa Andrada (b. Montevideo, 1920 - 2010) is virtually unknown to the public. "A look at the subtle and eternal" is the name of the sample on the work of the outstanding and talented creator, whose opening scheduled for March 24 at the Gurvich Foundation Museum, was at the time in suspense. This sample featured the curator and previous research of the graduate in Arts María Eugenia Méndez. It is composed of a very strict and careful selection that allows an approach to the long and prolific work of the artist. The richness of the material that makes up the excellent catalog shows how exhaustive work to rescue and make known the life and work of an artist who maintained a low profile (he performed only two individual exhibitions) but that enriched with her participation more of seventy collective exhibitions Next to the Torres García workshop and other artists. How Méndez points out, in the study of his work, at least four periods related to her life and learning are identified: the initial stage with her first teacher (of which no works have been preserved), the training period with Master Joaquín Torres García in his workshop from 1943 to 1949, the subsequent transition stage, including his stays in Europe between 1950s and 1964, and the consolidation phase of his artistic language from 1965.