Domínguez Soler's proposal is to contribute to history and bring readers closer to a cartography of the plastic arts of Misiones, without losing sight of the cultural, institutional, political and technical contexts of the production of pictorial works and their authors. The material gathered here is the first attempt to systematize and reinforce the series of strokes that artists and intellectuals were leaving through their works, but also articles, documents and catalogs on regional plastic activity. In addition to the visual record, Domínguez Soler investigates the biographies and carries out a documentary review that ends up framing the aesthetic production dispersed between eras and economic and social changes. Although initially this project was oriented towards a historical encyclopedia of authors, the concern of the author was opening complementary lines of research that materialize today in this volume, after an extensive work of elaboration.