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Streng, reduziert, konsequent - neben Kasimir Malewitsch (1879-1935) und Wassily Kandinsky (1866-1944) gehört Piet Mondrian (1872-1944) zu den prominentesten Vertretern der abstrakt-geometrischen Kunst. Spätestens mit der Gründung der Gruppe De Stijl 1917 und seiner radikalen Beschränkung auf die Primärfarben Rot, Gelb und Blau hat sich der Niederländer einen Namen gemacht. Der vorliegende Band stellt den "ganzen" Mondrian vor - ausgehend von den kaum bekannten naturalistischen Anfängen über eine abstrahierende Phase zwischen 1908 und 1916 bis hin zur Malerei der absoluten Gegenstandslosigkeit. Er setzt ihn in Bezug zu Malewitsch und Kandinsky und spürt der Frage nach, ob sein Werk tatsächlich, wie immer angenommen, völlig von der Natur abgekoppelt entstand. Exhibition: Museum Wiesbaden, Germany (26.10.2018 - 17.02.2019).
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Piet Mondrian: the complete writings : essays and notes in original versions
2017, Primavera Pers
in English, Dutch, and French
9059972384 9789059972384
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Piet Mondrian: Farbe, Struktur und Symbolik : ein Essay
1994, Gachnang & Springer
in German
3906127400 9783906127408
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Piet Mondrian: colour, structure and symbolism : an essay
1994, Gachnang & Springer
in English
3906127443 9783906127446
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Piet Mondrian: Color, Structure And Symbolism
October 2, 1994, GACHNANG & SPRINGER
Hardcover
in English
3906127443 9783906127446
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Book Details
Edition Notes
Catalog of the exhibition "Piet Mondrian - Natur und Konstruktion" held at the Museum Wiesbaden, in cooperation with Gemeentemuseum Den Haag, October 26, 2018 - February 17, 2019.
Includes bibliographical references.
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Work Description
From the beginning of 1914 until his death in 1944, Mondrian wrote more than a hundred essays on the subject of art and society. He wrote in Dutch, French and English, his choice of language often depending on his place of residence. All of Mondrian's writings proclaim his conviction that art paves the way to a better society. Many of Mondrian's texts have been published, but the original versions were often translated, edited, and polished. This book aims to present the painter's words as he wrote them, going back to the original sources of all of Mondrian's manuscripts, typescripts, and personal papers, published and unpublished, finished and unfinished - some only consisting of a few sentences, some of as much as 80 pages. In addition, the book includes introductory chapters, as well as a table for quick reference and a vocabulary of characteristic Mondrian terms. Louis Veen's compilation of Mondrian's original texts is not only a contribution to Mondrian research, but also a repository of knowledge regarding a small but essential part of the Dutch international heritage.

