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Variations on a well-liked theme, mainly from contemporary operas, were extremely popular at the end of the 18th century. Even the young Beethoven made several contributions to this genre. We do not know of any concrete occasion for the composition of the three cycles of Variations for Violoncello and Piano -- they are on two themes from Mozart's "The Magic Flute" and one from Handel's oratorio "Judas Maccabaeus". The number of reproductions at that time does, however, reveal that they were very popular right from the beginning. Our revision is based on new findings contained in the Critical Report of the Beethoven Complete Edition (published in 2008). - Publisher.
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Edition Notes
"Urtext" - cover.
1st work based on autograph copy of score housed at the Gesellschaft der Musikfreunde, Vienna (Shelfmark A 2); 2nd work based on original ed. published by J. Traeg in Vienna; 3rd work based on autograph copy housed at the Beethoven-Haus, Bonn (Shelfmark BH 77).
Includes additional violoncello part with fingerings and bowings by David Geringas.
Includes preface by the editor in German, English and French (pages [iii]-vi) and critical commentary in German and English (pages [40]-50).
Includes thematic index.
Publisher no. HN 913 (G. Henle Verlag)
Distributor no. HL.51480913 (Hal Leonard)
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Feedback?March 18, 2019 | Edited by Bryan Tyson | Added new cover |
March 18, 2019 | Edited by Bryan Tyson | Edited without comment. |
March 18, 2019 | Edited by Bryan Tyson | Edited without comment. |
March 18, 2019 | Created by Bryan Tyson | Added new book. |