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Ricarda Roggan's new show 'Apokrypen' formulates the question: Can a photograph hold and communicate the original auras of everyday objects? She questions the owner-object relation in a series of black-and-white photographs of individual objects, such as a bowl or a glove, a watch or a knife, once belonging to a cultural figure from the past two hundred years. Each object occupies a condensed and poeticized space that is re-presented in this two-volume exhibition catalog. The larger catalog, also printed in black and white, presents each photographed object titled only with the owner's name and object. A smaller compendium accompanying the catalog documents the history of each object and owner. A unique feature of the larger exhibition catalog is the fold-out cover that functions as a visual index of the information in the compendium. Contributors include exhibition curator Ute Stuffer and theorist Hubertus von Amelunxen. Exhibition: Kunstverein Hannover, Germany (11.10.2014 & 04.01.2015) / Wilhelm-Hack-Museum Ludwigshafen, Germany (07.02. - 19.04.2015).
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Subjects
Artistic Photography, Exhibitions, Photography, ArtisticPeople
Ricarda Roggan (1972-)Showing 2 featured editions. View all 2 editions?
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Ricarda Roggan: das Paradies der Dinge : Kunstpreis der Sachsen LB 2004
2004, Museum der Bildenden Künste
in German
3860600168 9783860600160
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Book Details
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Edition Notes
" ... anlässlich der Ausstellung Ricarda Roggan : Echo ; Kunstverein Hannover, 11. Oktober 2014 - 4. Januar 2015 ; Wilhelm-Hack-Museum Ludwigshafen am Rhein, 7. Februar -19. April 2015."--Colophon.
In German and English.
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The Physical Object
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Feedback?December 3, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
January 21, 2010 | Edited by WorkBot | add subjects and covers |
December 11, 2009 | Created by WorkBot | add works page |