| Record ID | marc_university_of_toronto/uoft.marc:746416767:1044 |
| Source | University of Toronto |
| Download Link | /show-records/marc_university_of_toronto/uoft.marc:746416767:1044?format=raw |
LEADER: 01044cam 2200253 a 4500
005 19970227095114.1
008 970226s1990 ii b 000 0 hin
020 $cRs75.00
025 $aI H 25120
050 00 $aPK2098.R3575$bZ84 1990
090 8 $aPK 2098 .R3575Z84 1990X$bROBA$c1
100 0 $aMadana Lāla,$d1960-
245 10 $aNāṭakakāra Mohana Rākésa :$bsaṃvāda-śilpa /$cMadana Lāla.
250 $a1. saṃskaraṇa.
260 $aDillī :$bDinamāna Prakāśana,$c1990.
300 $a117 p. ;$c22 cm.
500 $aIn Hindi.
500 $aOriginally presented as the author's thesis (M. Phil.--Maharshi Dayānanda Viśvavidyālaya).
500 $aOn the style of dialog writing in the works of Mohana Rākeśa, 1925-1972, Hindi playwright.
504 $aIncludes bibliographical references (p. [115]-117).
600 10 $aRākeśa, Mohana,$d1925-1972$xCriticism and interpretation.
948 $a02/27/1997$b07/17/1999
039 $fpb/pb(pb)
949 $aPK2098 .R3575 Z84 1990X$wLC$c1$i31761044584639$lSTACKS$mROBARTS$rY$sY$tBOOK$u8/3/1997