| Record ID | marc_university_of_toronto/uoft.marc:5540048552:1454 |
| Source | University of Toronto |
| Download Link | /show-records/marc_university_of_toronto/uoft.marc:5540048552:1454?format=raw |
LEADER: 01454cam 2200301 a 4500
001 ocm70063928
005 20070821093321.0
008 060609s2006 gw ag b 000 0 ger d
020 $a3897835371 (hd.bd.)
020 $a9783897835375 (hd.bd.)
029 0 $aOHX$bhar060052788
039 $fjag
050 4 $aML197$b.B28 2006
100 1 $aBauer, Cornelius.
245 10 $aPostminimalismus als kompositorischer Ansatz :$banalytische Untersuchungen am Werk John Adam's [i.e., Adams'], Michael Torkes und Loius [i.e., Louis] Andriessens bis ca. 1995 /$cCornelius Bauer.
260 $aRegensburg :$bS. Roderer,$c2006.
300 $aviii, 392 p. :$bill., music ;$c22 cm.
490 1 $aTheorie und Forschung ;$vBd. 849$aMusikwissenschaft ;$vBd. 8,$x0942-0916
500 $aOriginally presented as the author's thesis (doctoral) at the Hochschule für Musik und Theater Rostock in 2005.
504 $aIncludes bibliographical references (p. 387-392).
600 10 $aAdams, John,$d1947-$xCriticism and interpretation.
600 10 $aTorke, Michael$xCriticism and interpretation.
600 10 $aAndriessen, Louis,$d1939-$xCriticism and interpretation.
650 0 $aMinimal music$xHistory and criticism.
650 0 $aMusic$y20th century$yHistory and criticism.
830 0 $aTheorie und Forschung ;$vBd. 849.
830 0 $aTheorie und Forschung.$pMusikwisssenschaft ;$vBd. 8.
949 $aML197 .B28 2006$wLC$c1$i31761069498947$lSTACKS$mMUSIC$rY$sY$tBOOK$u21/8/2007