| Record ID | marc_uic/UIC_2022.mrc:29318654:3688 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:29318654:3688?format=raw |
LEADER: 03688cam a2200769 a 4500
001 9977032312005897
005 20200409163015.0
008 920928s1993 njua b 001 0 eng
010 $a92036398
015 $aGB9436972$2bnb
016 7 $a069-10696$2Uk
019 $a690896332
020 $a0691069697$q(cl)
020 $a9780691069692$q(cl)
020 $a069101535X$q(pb)
020 $a9780691015354$q(pb)
035 $a793652-01carli_network
035 $a(OCoLC)ocm26810060$z(OCoLC)690896332
035 $a(EIUdb)416677
035 $a(EXLNZ-01CARLI_NETWORK)991039483249705816
040 $aDLC$beng$cDLC$dUKM$dBAKER$dNLGGC$dBTCTA$dYDXCP$dZCU$dGEBAY$dDEBBG$dBDX$dUKBOL$dGBVCP$dOCLCF$dTUU$dZWZ$dOCLCQ$dCSJ$dOCLCO$dOCLCQ$dCPO$dOCLCA$dOCLCQ$dBGU$dOCLCQ$dEIUdb
043 $an-us---
049 $aIADA
050 00 $aPN1993.5.U6$bW45 1993
082 00 $a302.23/43/0973$220
084 $a24.34$2bcl
100 1 $aWexman, Virginia Wright.
245 10 $aCreating the couple :$blove, marriage, and Hollywood performance /$cVirginia Wright Wexman.
260 $aPrinceton, N.J. :$bPrinceton University Press,$c©1993.
300 $axiv, 288 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 249-276) and index.
505 0 $apt. 1: Introduction: The movies as social ritual -- Romantic love, changing marriage norms, and stars as behavioral models -- pt. 2: Patriarchal marriage and traditional gender identities -- Star and auteur: the Griffith-Gish collaboration and the struggle over patriarchal marriage -- Star and genre: John Wayne, the western, and the American dream of the family on the land -- pt. 3: Companionate marriage and changing constructions of gender and sexuality -- The love goddess: contradictions in the myth of glamour -- Masculinity in crisis: method acting in Hollywood -- Epilogue: beyond the couple -- The destabilization of gender norms and acting as performance.
520 $aThis examination of the changing relationships between men and women in modern culture argues that Hollywood film has often been a powerful mirror of American romance and sexuality. The author notes also how changing acting styles have led to new types of relationships being depicted on screen.
650 0 $aMotion pictures$xSocial aspects$zUnited States.
650 0 $aMotion picture acting.
650 0 $aLove in motion pictures.
650 0 $aMarriage in motion pictures.
650 7 $aLove in motion pictures.$2fast$0(OCoLC)fst01002811
650 7 $aMarriage in motion pictures.$2fast$0(OCoLC)fst01010608
650 7 $aMotion picture acting.$2fast$0(OCoLC)fst01027093
650 7 $aMotion pictures$xSocial aspects.$2fast$0(OCoLC)fst01027384
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
650 17 $aFilms.$2gtt
650 17 $aLiefdesleven.$2gtt
650 17 $aHuwelijk.$2gtt
650 17 $aActeren.$2gtt
650 7 $aEhe$gMotiv$2gnd
650 7 $aEhe$2gnd
650 7 $aFilm$2gnd
650 7 $aLiebe$gMotiv$2gnd
650 7 $aLiebe$2gnd
650 7 $aWort$2gnd
651 7 $aUSA$2gnd
650 7 $aAmour$xAu cinéma.$2ram
650 7 $aMariage$xAu cinéma.$2ram
650 7 $aCinéma$xThèmes, motifs.$2ram
650 07 $aFilm.$2swd
651 7 $aUSA.$2swd
653 0 $aCinema$aFilms (Motion pictures)$aSpecial subjects$aLove
653 0 $aUnited States
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/description/prin021/92036398.html
959 $a(EIUdb)416677
959 $a(UICdb)770323$9LOCAL
994 $a92$bIAD