It looks like you're offline.
Open Library logo
additional options menu

MARC Record from marc_uic

Record ID marc_uic/UIC_2022.mrc:212239221:3583
Source marc_uic
Download Link /show-records/marc_uic/UIC_2022.mrc:212239221:3583?format=raw

LEADER: 03583cam a2200661 4500
001 993611612005897
005 20200409133609.0
008 720727s1972 enk b 001 0 eng
010 $a72183223
015 $a740018574 rev$2can
015 $a740018574 rev 852$2can
015 $a740018574$2can
016 $a(AMICUS)000000051298
016 7 $a001802106$2Uk
019 $a16204320
020 $a0521084563
020 $a9780521084567
035 $a288547-01carli_network
035 $a(OCoLC)ocm00409899$z(OCoLC)16204320
035 $a(EIUdb)251062
035 $a(EXLNZ-01CARLI_NETWORK)991014576119705816
040 $aDLC$beng$cDLC$dUKM$dLVB$dAU@$dZWZ$dUKMGB$dMUO$dBDX$dEUM$dOCLCO$dOCLCQ$dOCLCF$dOCLCO$dOCLCQ$dOCL$dCOF$dOCLCA$dNLC$dDHA$dTYC$dOCLCQ$dOCLCO$dBGAUB$dOCLCQ$dOCLCO$dCNO$dOCLCQ$dOCLCO$dEIUdb
043 $ae-gx---
045 $ax2x6
049 $aIADA
050 00 $aPN2658.P5$bI54
055 02 $aPN2658*
072 7 $acoll1$2lacc
082 00 $a792/.0233/0924
084 $acci1icc$2lacc
084 $acoll1$2lacc
084 $acoll1$2local/lacc
084 $a792.0943$2z
100 1 $aInnes, Christopher,$d1941-
245 10 $aErwin Piscator's political theatre;$bthe development of modern German drama$c[by] C.D. Innes.
260 $aCambridge [England]$bUniversity Press,$c1972.
300 $a248 pages$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 227-234).
505 0 $aIntroduction -- 1. The Weimar Republic: art and environment -- 2. The Agitprop theatre: political -- 3. Agitprop and Revue: society -- 4. Documentary drama the material -- 5. Epic theatre: the actor and the structure -- 6. Total theatre: the audience -- 7. New drama: the author -- 8. Piscator: contemporaries and critics -- Notes -- Chronological Table.
520 $aThis 1977 text was the first full study of Erwin Piscator, the German theatrical producer who was prominent in the 1920s and worked after 1945 with the writers Hochhuth, Kipphardt and Weiss. Professor Innes sketches the background of Dadaism and Expressionism from which Piscator came, and points out the differences between Piscator and the other experimenters of his time. He also gives a vivid description of Piscator's technical innovations, the modern means of communication such as film, the illumination of the stage from below and 'the treadmill', a flat moving band along which the characters walked. These turned drama into a multi-media event. Professor Innes uses Piscator's career as a focus to describe theatrical developments in the twentieth century and to discuss the role of the author, the director, and the actor in drama, the purpose of the theatre, and the involvement of the audience.
600 10 $aPiscator, Erwin,$d1893-1966.
600 16 $aPiscator, Erwin,$d1893-1966.
600 17 $aPiscator, Erwin,$d1893-1966.$2fast$0(OCoLC)fst00040558
650 0 $aGerman drama$y20th century$xHistory and criticism.
650 0 $aTheater$zGermany.
650 6 $aThéâtre$zAllemagne.
650 7 $aGerman drama.$2fast$0(OCoLC)fst00941360
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
856 42 $3Publisher description$uhttp://catdir.loc.gov/catdir/enhancements/fy1005/72183223-d.html
959 $a(EIUdb)251062
959 $a(UICdb)36116$9LOCAL
994 $a92$bIAD